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The pole dancing woman can be seen as powerful but the position also gives a feeling of hanging
Minä harpyijana (Me as a harpy)
The work was exhibited in Galleria G in 2025
No one sees her
puhallus Naturalism The pole dancing woman canoil and ink on mdf part of 'postcards from places I can no longer visit' Working from an archive of my own childhood photographs, I am approaching self portraits as refracting images of a not me anymore. The childhood portrayed in these photographs is familiar yet foreign, as a look back at it through someone else's eyes, recognising the taken photographs, not the moments themselves. The act of reproduction allows a further refraction of memory, as
