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Caligari (1920) as well as its championing of boundary-pushing American works like Erich von Stroheims Greed (1924.) In the end, while some exhibitors may have pulled in profits, even the manager of the Little Picture House, a small New York theater that was supposedly Americas first cooperative cinema admitted to Exhibitors Herald-World in 1930 , Theres no money in It, People are getting too wise to fall for the stuff we give them. (LOL) Whether the arthouse little theatres of the late 1920s were pulling the wool over the eyes of hipsters, bohemians, and intelligentsia at large, or whether their intentions were pure of heart, we may never deduce with finality

She considers the scenario calmly and says, Hell be the one with the bigger face

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